I still remember the Columbine High School massacre which occurred on Tuesday, April 20, 1999, at Columbine High School near Littleton Colorado. This incident killed 12 students and 1 teacher, injuring others. The two senior students responsible for this horror, Eric Harris and Dylan Klebold, committed suicide. Then followed the investigation while the 24/7 media machine reacted, having opinions and updates for every angle of the story.
When I did a youth documentary with a social worker friend in 2002, we interviewed at risk youth in the greater Toronto area. I was surprised how some naïve looking young people would name a dozen illegal drugs all in one breath. We asked the usual questions. Does TV, or movies, cause violence? Indirectly, or directly? How about violent video games? All the footage was assembled and made into a documentary called Just Talk. We sent it to countless film festivals. Tiff, Banff, Tribeca, and the Sundance Festival. No one was interested in the subject of youth violence. However, each film, or documentary that comes out of the festival circuit is filled with gun violence. Just Talk had its world premiere at the Final Cut Short Film Screenings DJ & VJ Sets in the city of Brighton in the fall of 2003.
When 2004 arrived, at a friend’s insistence I saw Bowling for
Columbine. Right at that time, I was reading Dante’s Inferno. When
Charlton Heston was challenged by Michael Moore on his role in promoting
guns after a school shooting, Heston walked away. It was at this
junction, I visualized a story where Charlton Heston succumbed to
Alzheimer’s and descended into hell and is confronted by victims of his
pro-gun policies. I called it Charlton Heston’s Inferno. I pitched
this idea to a number of friends and everyone seemed to be supportive,
but I shied away from it because I was not a fan of Michael Moore and
always found myself frowning on Moore and his escapades. It was only in
June 2004 I read a story in the newspaper where a young woman left
Ontario, travelled to New York to meet her fiancé. After only eight
hours in the big apple, she was found stripped to her underwear and shot
dead in a dumpster. It then became apparent that Bowling for Columbine
and Dante’s Inferno would connect and Charlton Hesston’s Inferno was
set to become a reality.
When I completed the manuscript, I pitched it to publishers, both
big and small. Some publishers feared lawsuits. Canada Council rejected
it outright, including Toronto Arts Council. That fear of lawsuits kept
creeping up. Like the film festival circuit, they have no interest in
youth violence, or social issues. I learned publishers were strictly
interested in nonfiction, or romance novels. Why? They make money
period.
After pitching it for a three year period, I gave up on Charlton
Heston’s Inferno. It was only in June 2011, I passed Charlton Heston’s
Inferno to Iuniverse. They had me asked me to get permission from the
Heston Estate. Thus, I went to http://everyonewhosanyone.com/and
eventually was in contact with the Heston Estate. It didn’t take long
for them to send a rejection email for the proposal. The manuscript
stayed the same except Mack replaced Charlton and Dunstan replaced
Heston and Mack Dunstan’s Inferno was born!
Thus the film festivals and mainstream publishing houses showed no
interest in discussing social issues. Violence sells films and TV, just
as Kitsch sells books to book buyers. So when a young person shows up to
school with a gun and uses it, people are shocked. Violence is in our
history, scripture, and all over the TV, movies, radio, and internet.
Someone must supply a category at the film festivals to discuss social
issues, including the publishing industry. After all, Kitsch does sell!
Paul Collins, author of Mack Dunstan’s Inferno / Mystery of Everyman’s Way
Contact him on: http://www.facebook.com/#!/authorpaulcollins
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